Getting the Best Sound from Your Piezo Pickup: What a Buffer Really Does

 Piezo pickups are extremely sensitive, and often that’s both their biggest strength and their biggest problem. They can capture the natural attack and character of an acoustic instrument — but only if they’re connected to the right kind of input.
 
Most amps, pedals, and mixers simply don’t have the  high-impedance input a piezo really needs, which often results in a thin, nasal, “quacky” sound, or even boomy if the amp is set in loud volume, which often causes annoying feedback.

That’s where a piezo buffer comes in.
A proper buffer presents the pickup with a very high input impedance (in this case around 10MΩ), allowing the pickup to respond the way it was designed to. The result is a fuller, more natural tone with better dynamics and less noise. Subtle details — like the wood resonance of a double-bass or the body warmth of an acoustic instrument — come through clearly instead of being lost. 

For players using Realist or similar upright-bass pickups, this makes a big difference, especially on stage.

Here you can see a simple mini-buffer I often make for such cases. Additionally, the custom unit shown here combines a 10MΩ piezo buffer with a variable high-pass filter (20–200 Hz). The buffer keeps the tone natural and open, while the HPF lets you control low-end boom and stage rumble — a common challenge with double-bass. This allows you to keep the fundamental notes strong while tightening the low end and avoiding feedback.

Whether you’re going straight into an amp, DI, or pedalboard, a good piezo buffer is one of the easiest ways to improve clarity, consistency, and playability with any acoustic or upright-bass pickup.